Thursday, March 31, 2011

Shots From My PSW Canon Speedlite Shooting Session

Just a quick "thank you" to all the photographers at Photoshop World who attended my Canon Speedlite Shooting session. Here are a few shots from the shoot. The above image is a composite of two shots - they are not twins :-)

The idea above was to get a nice "rim" light around the subject's profile.


The shots were taken (on stage in a conference room packed with attendees) with one Canon Speedlite 580EX II (set on E-TTL) in a Westcott Apollo softbox with my Canon 7D or Canon 5D Mark II and Canon 24-105mm IS lens.

I triggered the Speedites with my Canon ST-E2 when I was shooting with the 5D Mark II.

When I was shooting with the Canon 7D, I used the built-in flash to fire the Speedlites.

For info on the techniques, click here and here.

For basic tips on lighting, see my Light It! app (scroll down on my apps page.)


Explore the light,
Rick

P.S. The two behind-the-scenes shots directly below were taken by Juan Pons. Thanks Juan for taking the shots! And thanks to Rob Knight to being my voice-activated lighting stand in the second photo.

Shoot me an email if you would like to get on my list for flash lighting workshops.



The pano photo below was taken during the class by Andy from http://www.lightenupandshoot.com.Thank you, Andy. Good shot and good fun


Tuesday, March 29, 2011

Name These Photoshop World Instructors

Just added to this post: Well, we already have a winner in this fun photo contest. Thank you all for playing along - Rick

What do these Photoshop World instructors have in common? Be the first to answer that question and the following question, and I'll send you (if you live in the US) autographed copies of my books:
and

Question: What are their names? You need to post the answer in the Comments section here on my blog - so I can check the time.

Good fun for all.

Explore the light,
Rick

Monday, March 28, 2011

It's Be My Guest Monday. Today's Guest Blogger: Jackie Bailey Labovitz


Today's Guest Blogger is Jackie Bailey Labovitz. Here are some of her favorite photographs, along with a few quick tips.

Take it away, Jackie.

Above: Get down on the ground - All the photos in my UNDERSTORY project, currently on view at the Smithsonian National Museum of Natural History Naturalist Center www.easternunderstory.com, were taken in the belly-to-ground position.



Above: Shoot with One Lens - Your back will love you. It took ten-mile hikes every day for over a week with a 28-300mm lens to finally find this flawless pair of camera ready rare slippers. Endurance matters.


Above: Go Natural - Watch the light travel over and around the subject. Watching it hug, shun or barely touch living things otherwise untouched is mesmerizing. When it's just right, take a deep breath steady the camera and confidently press the shutter release. Revere the light.


All of the above: Enjoy the process of making pictures.

Sunday, March 27, 2011

Model Photography From The Model's Side of the Camera

Photography Greg Powers
The stuff I post here about model, fashion and beauty photography is mostly tech talk: lighting, cameras, lenses and so on. To change things up a bit, I asked my friend Laurence Yang, editor-in-chief of Runway Weekly, to write a post about what it's like to be on the other side of the camera - the model's side.

Take it away Laurence!

Yes, models do need to be beautiful. For photographers, however, a model's beauty is not only skin deep. It's more than that. A good model needs a good photographer where he and the model work as a team. By doing that, they must have certain qualities that will help create stunning images.

I must say when modeling at seminars and workshops - I get a lot of comments and questions from amateur photographers who always asks me, "How can I make you comfortable during a photo shoot?" I also get asked, "What can I do or say to encourage the model?" 

Well, it's very rare that I feel uncomfortable during a shoot anymore but I have to say - I was once a beginner as well and didn't know what to expect at times. So I do know how unpleasant and awkward it can be to shoot in front of a camera with some random photographer who's probably feeling the same because he is possibly just learning himself. So I've come up with a list of suggestions for photographers who are trying to help the models feel  comfortable shooting.

I. Get to know the model.

When you have a committed team, the whole experience is very rewarding for everyone. Whether you're trying to have a consultation with the model before the shoot or spending sometime on the actual shoot day. Try arriving early to set up lights and backdrops so you can test everything before a shoot that way while the model is getting hair and make up done you can discuss the mood and goal you are trying to achieve. It's just an advantage of getting to know everyone.

Tip: Want to break the ice? I love it when photographers offer to do a coffee run while hair and make up is being done.  

II. You can look, but you can't touch! Don't be creepy - PERIOD.

It doesn't take a scientist to figure this out. Just don't get all touchy with the model. It's not ok to put your hand on her arm, knee, or even to give a hug - unless initiated by the model. Yes, all of this has happened to me. Instead, give her a high-five. Acknowledge her after a fabulous shot. Sometimes photographers hound models to drop their tops, and they end up getting a bad reputation.

There are many awkward situations between photographers and models; like changing outfits on a beach. If this happens ask a female assistant to cover the model with a towel or suggest her to change in your car. Also, if there is a piece of hair or clothing in the way of your perfect shot, point to it and let the model know so she or an assistant/stylist can fix it, that's what they're there for.


III. Put a TEAM together. Hire a makeup, hair and wardrobe stylist and if needed a photo assistant.

I always get asked to do my own make up for shoots and sometimes even clothes. I don't mind but having someone else who knows what they are doing is great. Models are meant to pose and look good in front of the camera, not to put on make-up or to go buy outfits and then return them the next day. That's what the rest of the team is for. Here's the thing, some photographers don't get it - they think they can just snap a picture and make the model look good. Guess what, at times it does work and that's fabulous. These days especially in this industry - DETAILS matter!

Depending on what your shooting bad hair and make-up may ruin your shoot. Some photographers don't have a clue as to when it comes to picking out the perfect eye shadow shade or the perfect belt to go that top he/she is wearing. The key is, it's in the photographer's best interest to keep their model's hair and make up as fresh as possible - which means this shoot isn't going to work if you hand the model a huge pelican case and make her truck all your gear half way across the desert.

IV. Give direction and don't over exhaust your model!

For some photographers, this isn't the easiest thing to do. Most of it is learned over time. It all depends on the model. Some need guidance on what expression to give and how to pose and some are experienced and don't need to be told what to do. I've been on shoots where I was told how to pose, when to smile and when not to smile. It was bad!!! I've also been on shoots where I've had no direction to the point where I feel lost and had no motive to shoot.

Giving SOME direction is ideal. Another thing don't keep pushing your model to shoot if the outcome you've hoped for had already been achieved. Modeling is exhausting. When the shoot is taking longer then expected, things start to get uncomfortable. From my experiences when I'm tired, the pictures simply don't look as nice - especially if your team is worn out after a draaaaging day. If there isn't any more juice to squeeze out of the lemon then there is no need to keep shooting.

More helpful Do's & Don'ts TIPS:

DO:

** Show them works you have already done.
** Put on some music. Ask the model if she has anything she would like to listen to while shooting.
** Bring a large t-shirt, towel/sheet or robe ready for the model.
** Offer refreshments. Fainting models aren't fun!
** Give your model plenty of breaks. 10-15 minutes is a long time to be posing.
** Show images during break, it gives the model a feel of how she's doing and what she needs to work on for the next set.
** Be upbeat, professional, encouraging and confident.
** Compliments! Compliments! Compliments!

DON'T:

** Push your model beyond her boundaries.
** Watch your model change.
** Act like a giant douche bag, then you won't move up the ranks and won't be able to work with more experienced models.
** Ask the model out after a shoot!

Cheers!

Laurence Yang
Editor-in-Chief
Runway Weekly
www.RunwayWeekly.com
http://www.wix.com/laurencegulyette/yang

• • •
If you want to get better at model photography, Hal "Bull" Schmitt and I are running a model workshop later this year. Click here for info.


Saturday, March 26, 2011

Have Some iPad and iPhone Photo Fun This Weekend

 
Rick Sammon's HDR Portfolio
Soon to be renamed: iHDR.

My newest how-to app for the iPad is now available: Rick Sammon's HDR Portfolio (soon to be renamed - Rick Sammpn's iHDR). User feedback suggested that this instructional app is all about . . . Images, Imagination, Innovation and Interactive learning. Hence the i in iHDR.

This app is packed with HDR photos (my latest), info and movies. A great way to learn and experience HDR. iHDR will include the same great content as HDR Portfolio, but when the new version is release, it will feature a Favorites section, which is very cool.

Here is a look at my other apps.

Rick Sammon's 24/7 Photo Buffet

My flagship comprehensive how-to app: Rick Sammon's 24/7 Photo Buffet - iPhone and iPad.

Click here to see a serious review of the app. Click here to see a fun movie about the app.

 Rick Sammon's Light It!

Light It! and Light It Light!: My basic lighting apps – iPhone and iPad.

Click here to see the into movie to Light It! 

Cool new feature: You Light It! Photo Club. This club showcases your best photographs, along with the photographs of other talented photographers, based on the tips from this app. Simply click here to join the fun . .  and to enter the monthly photo contest. The prize for the contest:  1/2 hour portfolio review with yours truly via Skype or iChat.

Butterfly Wonders


Butterfly Wonders: Beautiful butterflies and section on close-up photography –  iPad only. Cool section on how-to take close-up pictures!

 Life Lessons We Can Learn From Mother Nature

Life Lessons We Can Learn From Mother Nature: My favorite images with inspirational quotes – iPad only.


 Skip Marini Golf Lessons

In Skip Marini Golf Lessons, I become the student – learning the best golf tips from the best pro in Westchester, NY – iPad and iPhone.

Friday, March 25, 2011

Back by Popular Demand: Topaz Adjust Webinar

After Topaz Adjust/Color Stretch
Before Topaz Adjust
Hi All -

Due to popular demand, I am redoing my Topaz Adjust Webinar (from two weeks ago) on April 11. I hope you can join the on-line training, learning and fun.

Click here to register. Space is limited. Sorry.

Explore the light,
Rick

P.S. For more examples of Topaz Adjust, as well as some of the other plug-ins that I use, see below:

Rick Sammon's HDR Portfolio
Soon to be renamed: iHDR.
User feedback suggested that this instructional app is all about . . . 
Images, Imagination and Innovation. Hence the i in iHDR.


My newest how-to app for the iPad is now available: Rick Sammon's HDR Portfolio (soon to be renamed - Rick Sammpn's iHDR). This app is packed with photos (my latest), info and movies. A great way to learn and experience HDR. Same great content, but when the new version is release, it will feature a Favorites section, which is very cool.

Three Old Books That Will Help New Photographers


Seems like a new photography book is published every day - and promoted on the web every day. Older books go by the wayside.

I have a ton of photography books - new and old. Three of my favorite books are actually not new, but rather a bit old. I think new photographers can learn a lot from these old books, in some cases simply by looking at the pictures and studying composition and lighting.

Here are the books and links: 

Approaching Photography


Examples: The Making of 40 Photographs


Photographs: George Eastman House, Rochester, NY (Klotz)


Explore the light,
Rick

Thursday, March 24, 2011

Guest Blogger: Russ Bishop

My guest blogger today is Russ Bishop. I am so happy to have this talented photographer as my guest!

Russ is an outdoor photographer/writer living in Ventura, California. He picked up his first camera at age 14 and has been exploring the world through the lens ever since. His award-winning imagery can be seen in advertisements, posters, books, and national publications with clients that include National Geographic, Sierra Club, Toshiba, Sunset, and Rodale Press. He lives in Ventura, California with his wife and two children.

Here are some of his outstanding photographs.

Take it away Russ.
• • • 

Opening image: Lightning, Organ Pipe, AZ - They say lightning doesn’t strike twice, but on this stormy evening in Organ Pipe Cactus NM the bolts continued to hit the Ajo Mtns about 10 miles away. With a 300mm lens I timed the rhythm of the strikes while opening the shutter for about 30 seconds, enough to record the drama.


Horsetail Falls, Yosemite, CA - This unique phenomenon occurs each year during the latter part of February if conditions are right. The winter snowpack needs to be substantial enough to allow spring runoff to create the falls on the south side of El Capitan. With clear skies to the west and for a few moments before sunset, the falls are back lighted to create this natural fire fall. I used a 180mm lens to capture this fleeting moment.


Bryce Canyon, UT - A winter storm was just clearing as I setup this shot at Bryce Point looking across the amphitheater to Sunset Point. I captured this scene with a 180mm lens as the fog was beginning to lift, revealing the hoodoos and tree-lined ridge below.

Watchman Peak, Zion, UT - This image was taken on a crisp fall evening from the classic view above the Virgin River. A 2-stop ND filter was used on a 24mm lens to hold the detail and color in the sky, while a 6 second exposure gave the water a silky look.


Mist Trail, Yosemite, CA - The Mist Trial is a classic hike in Yosemite that ascends hundreds of stone steps adjacent to Vernal Falls. True to its name it’s a popular hike in the summer when the cooling mist is a welcome respite from the valleys soaring temperatures. A fast shutter speed revealed the power of the falls and a 300mm lens compressed the scene to create a dynamic image of man and the environment.


False Kiva, Canyonlands, UT - This sensitive archeological site is perched in a cave a thousand feet above the classic White Rim trail and is an iconic view of the southwest. The extreme contrast of the scene made it a perfect candidate for HDR. With a 17mm lens backed up against the wall of the cave, I captured seven brackets, which were then combined in Photoshop CS5 to create this blended exposure that accurately represents what I saw with my eyes that evening.

For more info, see:
Web: www.russbishop.com   
Twitter: www.twitter.com/RussBishopPhoto
Blog: www.russbishop.com/blog


Wednesday, March 23, 2011

Bosque del Apache Photo Workshop


If you like bird, nature, wildlife and HDR photography, as well as info-packed seminars, this event is for you.

Join me and Juan Pons in Bosque del Apache, New Mexico for this hands-on workshop.
Number of participants: Only 20.

Date: December 1 to 5, 2011. 

We will be based in Socorro, NM.


For a schedule and to sign up, click here.

Here are some photographs that I took on a previous Bosque del Apache trip.






Juan and I hope to see you there.

Here is a list of the gear you may want to consider packing:

• 400mm telephoto - close-ups of birds
• 100 - 400mm zoom - close-ups of birds
• 17-40mm zoom - scenery shots and HDR shots
• polarizing filter
• sturdy tripod - for HDR and scenery shots before sunrise
• laptop with Lightroom or Photoshop
• HDR Efex Pro or Photomatix  - for HDR processing. (Discount here)
• Topaz Adjust
• Flashlight or two. I suggest this flashlight for hands-free shooting:
'Flood Light' Head Lamp: NINE Super-Bright LED

For the dawn shoots, I recommend having both a wide-angle and telephoto lens handy, as you will want to shoot it all!

Here is a list of the clothing I recommend:
• Very warm coat, hat and gloves for the early morning shoots. It's often below freezing.
• Sunglasses
• Much lighter jacket for mid-day shooting.
• Hand and foot warmers:
Little Hotties Hand Warmers 40 Pairs Plus Toe Warmers 3 Pairs

For some tips in photographing birds, click here.

Explore the light,
Rick

Monday, March 21, 2011

Photo, Photoshop and Podcast Fun in Florida Next Week!

There will no time for yawing during my Florida seminars (five) and workshops (one) next week.

I'll be teaching in the Tampa Bay Area and at Photoshop World in Orlando.The sessions will be action, info and fun packed.

Here's the scoop:

Tampa Bay Area • Photographic Art Society of Florida
March 26 • Street Shooting Workshop
March 27 • Exploring the Light Seminar


Orlando • Orlando Camera Club
March 28 • Photoshop and Plug-in Workflow.
Plus: DPE Podcast Recording


Orlando • Photoshop World
March 30 •  Canon Speedlite Session
March 31 • So You Want to Be a Travel Photographer
April 1 • Lighting People Indoors and Out


I hope to see some of you at these workshops and seminars.

Also: If you want to be more famous and have a photo question, track down me/Juan Pons at Photoshop World. We are taking your questions for the DPE Podcast

Speaking of workshops, if you save the green info sheet that I distribute on my seminars and workshops, you can get $100 off my Croton Creative Workshop.

Explore the light,
Rick


Sunday, March 20, 2011

Some Thoughts on Photographing Birds


After being away for the winter, the birds are starting to return to my yard. It's great to see and hear them again.

With birds on my mind, I thought I'd share some of my bird photographs (not from my yard, ironically) and a few tips on photographing these wonderful animals.

Above: Behavior shots are often more impressive than portraits. To get behavior shots, you need to be patient and lucky. I was lucky to get this shot, but the dove was not that lucky . . . . 


Above: These portraits are okay. However, the background is distracting in one shot and boring in the other. Remember: the background can make or break a shot. Maybe the one good thing about both pictures is that I shot at eye level.

Above: Birds-in-flight shots are cool. To stop the action, use a shutter speed of at least 1/1000 sec. In Photoshop, selectively blur part of the wings to add a sense of motion to your still shot.


Above: And speaking of Photoshop, always envision the possibilities that await you in the digital darkroom.


Above: Try to get some light in the bird's eye. Select a good shooting position or use a flash. To extend the range of your flash, use a Better Beamer. I use one on my Canon Speedlite 580EX.

Info:


Above: When choosing a tele-extender, go with one that is made by your camera manufacturer. Also, 1.4x tele-extenders are usually sharper than 2x tele-extenders. I use a Canon 1.4X tele-extender on my Canon 100-400mm lens and Canon 70-200mm lens. 

Info:


Above: Go where birds hang out. I took this picture in Bosque del Apache in New Mexico in early December. I used a shutter speed of 1/30th of a second to slightly blur the action.

Juan Pons and I will be leading a photo workshop to Bosque in early December 2011. Shoot me an email if you are interested in joining the photo and Photoshop fun.

Speaking of hanging out with birds, we have two spaces open on my Alaska eagle workshop with Hal Schmitt.


Above: Know everything about your camera - so you can shoot even with one hand. Also master your flash and daylight fill-in flash, so your pictures do not look like harsh flash pictures. The key is learning how to balance the light from the flash to the daylight.


Above: Have fun!

Explore the light, 
Rick