Thursday, December 30, 2010

Quick Digital Imaging Tip 44/101: Keep it Level

This is tip #44 of 101 digital imaging tips that I plan to post here over the next few months. Stay tuned.

Today's tip: Keep it level.

When it comes to shooting landscapes, and when it comes to shooting most videos, you want to keep your camera level.

Sure, you can try to eyeball it. But why not get it right in camera?

To level my camera, I use two devices:

and 


When shooting with my Canon 7D, I use the built in level - which I think is a really cool feature.

Explore the light - and keep it level,
Rick

P.S. This may be my last post of the year. So to all:

HAPPY NEW YEAR!



Wednesday, December 29, 2010

Quick Digital Imaging Tip 43/101: Alter Your Mood In Lightroom, Photoshop, Aperture and Photoshop Elements

Digitally enhanced image.
This is tip #43 of 101 digital imaging tips that I plan to post here over the next few months. Stay tuned.

Today's tip: Alter your mood – the mood of your photograph - in the digital darkroom.

Original image.
When it comes to a photograph, the mood and the feeling of that image are of the utmost importance.

The subject helps to determine the mood of a photograph – but digital enhancements can also affect the mood.

The opening picture for this blog post has a different mood than the straight-out-of-the-camera shot. In Photoshop, I changed the mood by:
• Increasing the blues;
• Darkening the image;
• Increasing the saturation.
• Increasing the contrast.

You can do the same thing in other digital imaging editing programs.

I applied the same enhancement to the image below on the right.

Getting back to altering your mood in Lightroom and Photoshop, you can actually alter your mood! When you are pleased with an image adjustment or enhancement, it can actually put you in a good mood!

Explore the light,
Rick
P.S. These are pictures of the New Croton Dam, one of the locations we photograph on my Croton Shoots Workshops.

You can save $100 if you sign up before January 31, 2011 for a Croton Shoots Workshops. Use this code: 13101.

Netherlands 2011: Awesome Landscape & HDR Photo Tour/Workshop

There is still time to sign up for my April 2011 Netherlands workshop!


Click here for info.


Compare prices. This is one of the most affordable Netherlands photo workshops on the Web.

Explore the light,
Rick

Tuesday, December 28, 2010

Quick Digital Imaging Tip 42/101: Find Your Focus

This is tip #42 of 101 digital imaging tips that I plan to post here over the next few months. Stay tuned.

Today's tip: Just because you have an auto focus camera . . . that does not mean that your camera knows where to focus!

Finding your focus (in life and in a scene) is important. 

Different focus points tell a different story.

Which one of these two images do you prefer – and why? Post a comment here so others can see your viewpoint.

Explore the light,
Rick



Monday, December 27, 2010

Updated Post (Again): Don't Care What Others Think Of Your Work

Due to the response to my original two posts on this subject, I thought I'd update this post with a few notes here – as well as a few of my own comments in the Comments section.

New stuff:

1) Very insightful comments from everyone. Thank you!

2) Another quote about caring: " There is no audience as far as I am concerned, I am the audience." – Joel Meyerowitz

3) And yet another quote about caring: "I don't care if you make a print on a bath mat, as long as it's a good print." – Edward Weston

4) And check out this quote: "I want my sitters to be noticed, not my work." – Lord Snowden

Below is the original post. Again, post a comment here (rather than on twitter and facebook) so others can gain some insight into caring. I sure learned a lot.

• • •

This past week I saw Johnny Depp on The Late Show with David Letterman. Letterman and Depp were talking about the acting advice that a seasoned Marlon Brando gave the young Depp when the actors met.

Brando's advice: Don't care.

Brando's concept: Once you stop caring what others think of your craft, you can truly be yourself – and do your very best work.

Deep agreed.

Hey, that's easy (I guess, but I could be wrong) for guys like Brando and Depp to say. But what about artists (and that includes photographers) who are just staring out, and what about artists who need to care what others think in order to get a paycheck?

And what about you as a photographer? Do you care what others think of your work? Would you like to not care?

Post a comment – or maybe a suggestion – here (rather than on twitter or facebook) to start a dialog with other talented and artistic photographers. I think this is a very interesting topic – one which might help your fellow photographers.

Explore the light – and follow your heart.
Rick

P.S. My mother had a religious card on the kitchen counter at all times. It read: To thine own self be true. Maybe mothers know best. . .

Be My Guest Monday 12/27/10: Juan Pons


Juan Pons guest post on Rick Sammon's blog from Juan Pons on Vimeo.

It's "Be My Guest Monday," the day of the week that's turned over to a talented guest blogger for a quick tip, trick or technique

Today's guest: Juan Pons


Click here to see Juan's guest blog video.

Thank you, Juan

Explore the light,
Rick

Sunday, December 26, 2010

Quick Digital Imaging Tip 41/101: People in Pictures Help With Stock Photo Sales

This is tip #41 of 101 digital imaging tips that I plan to post here over the next few months. Stay tuned.

Today's tip: People in pictures help with stock photo sales.


The picture immediately above is nice enough, but the picture that opens this post is much more a "lifestyle" image, and "lifestyle" images sell better than beautiful scenic shots.
 
Even when a person is very small, or even tiny in a photo, that person adds a sense of scale to the image. Whenever possible, try to include a person in the scene.

And speaking of stock sales, I know someone who makes $3,000 a month in stock sales on iStock Photo. The key to making money in stock is to have many, many pictures uploaded and available.


If you want some tips on selling sock photos, check out this book: Taking Stock: Make money in microstock creating photos that sell.

Explore the light,
Rick

Saturday, December 25, 2010

Appy New Year!

Hey! If you know a photographer who got an iPad or iPhone for Christmas, he or she may be interested in one of my how-to photography apps!

Appy New Year!
Rick

Here is a list of my best-selling apps:

My flagship comprehensive how-to app: Rick Sammon's 24/7 Photo Buffet - iPhone and iPad.

Click here to see a serious review of the app. Click here to see a fun movie about the app.

• • • • •

Light It! and Light It Light!: My basic lighting apps – iPhone and iPad.

Click here to see the into movie to Light It! 

• • • • •

Butterfly Wonders: Beautiful butterflies and section on close-up photography –  iPad only.

• • • • • 

 Life Lessons We Can Learn From Mother Nature: My favorite images with inspirational quotes – iPad only.


Friday, December 24, 2010

Top Birds-In-Flight Tips From a Former Top Gun

Hal "Bull" Schmitt, the Director of Light Photographic Workshops, excellent  photographer, all around fun guy, and former Top Gun (yes, that kind of Top Gun) instructor, put together this awesome post.

All of these amazing photographs were taken by Bull.

Take it away, Bull. . .
• • •
Photographing birds in flight (BIF) is one of the most exhilarating and exciting photographic experiences available.  Unfortunately, it can also be one of the most frustrating. The dynamic environment of photographing BIF with constantly changing distance, angle, light, etc. presents us with a challenging task. With that said, most photographers can enjoy success and the satisfaction of a great shot if they keep in mind a few simple tips.

As a fighter pilot I feel a natural kinship with birds of all species and enjoy capturing the wonder of flight. Here are a few of the techniques, tips, and procedures that help me photograph birds around the world.

1. Set up your camera for action


For me it all starts with camera setup.Regardless of make and model I try and set up the following.

- AI Servo or continuous focus.You will be tracking a moving subject and one shot or single will not give you good results. 

- High speed drive mode. Allow the camera to fire off as many frames per second as is possible. 

- Back button focus. Ensure only back button focus is enabled. This will allow you to easily use your thumb to engage the autofocus (AF) system. 

- Select the center AF point. Although the center of the photograph is normally deadly, the center AF sensor on most cameras is more accurate and more intuitive to use. As you become more experienced you may change this.

- I will also set up my lens making sure to engage either the image stabilzer or vibration reduction. For most bird shots you will want to use mode two. 

- Also on the lens make sure your focus range is set to the expected subject distance possibilities. For example, if you have the option of 1 meter to infinity or 10 meters to infinity set based upon the expected subject distance. This will help keep your lens from "searching" at ranges where the subject will not be.

 2. Learn the basics of flight


As amazing as they are birds are still subject to the four primary forces affecting flight: thrust, drag, lift, and gravity. Spend a small amount of time learning the basics of flight and you will begin to learn and anticipate different flight maneuvers. One of the most important basics to always keep in mind, is birds will almost always take off and land into the wind (just as our airplanes do.) 

3.  Put the sun and the wind at your back

With the sun behind us as the primary light source, any subject in front of our lens will be illuminated and not in shadow. This will provide us simple, natural light and we may not need to use our flash. If the wind is at our back and we know birds will land into the wind, we set ourselves up for photographing the best angle for our subject.  In most cases, we want to be able to see the bird's eye or eyes and do not want the dreaded bird "butt" shot. Pay attention to the wind and position yourself accordingly. 

In an ideal world, we would have both the sun and wind at our back giving the correct angle and good light.  If this is not possible, I normally prioritize the wind at my back and photograph with a flash fill using good flash procedures and either a Project a Flash or a Better Beamer. These devices "extend" the flash and allow for illumination at incredible range.

There are times I will prioritize the sun at my back. I just know that I may not get the desired flight angle or even illumination. If I have thought about this ahead of time I can prepare a specific shot or flash.

4.  Use a good tripod and gimbal head

Adding the element of strong camera stability and support may helpy you track BIF more effectively. A strong, stable tripod combined with a gimbal head will make a difference. A gimbal head allows balanced, all axis tracking while supporting the weight of bigger lenses.  My current favorite is the Really Right Stuff PG-02. Awesome piece of gear. 

5.  Track and shoot


Select your subject at range and attempt to follow as the bird nears. Keeping the autofocus sensor on the "target" (I often use fighter pilot terminology when photographing birds!) engage the autofocus system and track.  As the bird fills approximately 75% of the frame, start shooting. I prefer small controlled bursts of 3-4 shots at a time. 

6.  Practice and have fun


Photographing BIF is not easy and you will need to spend a little time practicing. Practice on any bird you can. If you do not have many birds around find anything in motion. For example, I prefer eagles but there are not many around Los Osos, CA.  Instead, I use gulls as my most common subject.  They are everywhere and provide a perfect opportunity for me to practice the essential skill set. When practicing remember it is not easy.  So keep your spirits up and have fun. You will be creating dramatic birds in flight shots in no time at all.

Here's another quick tip: For access to the world's best eagles, join Rick Sammon and me next spring as we photograph thousands of bald eagles in South East Alaska. For more information check out www.Lightworkshops.com.

•  • •
Thank you Bull for a great post! Alaska will be a blast!

Explore the light,
Rick


Look Into Pictures, Not Just At Them


Those of you who follow this blog know that Dr. Richard Zakia, former RIT professor, is one of my all time favorite photo gurus. We send each other pictures. We talk about looking into  pictures - and not just looking at them. Big difference. 


Think about it . . . and look into your own pictures.


Recently, Dick sent me the opening picture for this blog post and wrote . . .


What intrigues me about this photo is my experience in taking it. I could not tell from the distance whether it was a painted wall intended to fool the eye or not. So I decided to photograph it.
As you look at it in this photograph, can't you tell whether the wall it is painted, or actually plastered to give it an aged look. I find the photograph to be ambiguous. It challenges the viewer not to just look and dismiss it, but to look and study it and try to determine if it is just a painted wall that we have seen variations of or not. It invites one to spend time with the photograph and hopefully other photographs.
What is your take on the photograph? Is the wall painted? Post your answer here.
Dr. Richard Zakia, a.k.a. Dick, is the co-author, along with David Page, of Photographic Composition: A Visual Guide. These two dudes are also two of my favorite people. 

"A photograph is usually looked at – seldom looked into." - Ansel Adams

Explore the light, 
Rick

Thursday, December 23, 2010

Is Your Lens Sharp?

In this photograph, the whiskers and hairs on the animal's body are tack sharp.

Several factors contribute to sharp images:

• The sharpness of the lens.
• Accurate focus.
• The aperture at which you shoot. Three stops down from the widest aperture is often the sharpest aperture.
• Contrast, with pictures taken in high-contrast situations looked sharper than pictures taken under soft  light.
• The shutter speed at which you shoot, with faster shutter speeds usually producing sharper hand-held pictures.
• A clean front and rear lens element.
• Lens flare.
• Camera shake, with the mirror lock-up feature helping when a camera is on a tripod.
• Condensation on the front element of your lens.
• The sharpness of the actual subject, with say a baby's skin looked softer than the skin of a sexy senior citizen.

Consider all the aforementioned factors before you shoot.

Here's a cool product that I just discovered that lets you check the sharpness of your lens. It's called the LensAlign PRO Focus Calibration System.


If you are serious about getting sharp shots, check out this sharp accessory.

You really can't turn an out-of-focus shot into a sharp shot. However, InFocus, a plug-in from Topaz Labs, does the best job I've seen.Topaz Details can also help you fine-tune the sharpness of your images.

Explore the light,
Rick

P.S. Speaking of sharpening, it's not a good idea to over-sharpen your images. A way-cool plug-in for sharpening is Nik Software's Sharpener Pro. Use this code to get a discount upon checkout: RSAMMON

Cool Clothing For Travel Photographers

You've seen me on workshops, on the Canon Photo Safari television series, and in the field dressed for success. Well, most of the time I am wearing ExOfficio Clothes. Their stuff is cool, comfortable and packs small. It's rugged affordable. It dries very fast.

Feeling good helps me get good pictures. My guess is that it will do the same for you.


Pictured below is some of the EXO stuff I use and recommend. If you wanna get yourself or a friend/loved one a last minute Christmas gift for a future trip, check out EXO Gear. 


Good news! Many items are on sale at Amazon.com.


















Wednesday, December 22, 2010

Random Find: John Harvey

Hey, I don't know John Harvey, but the dude sent me a question via email and attached this beautiful image - which he corrected in Lightroom and then moved it to Topaz Adjust and then back to Lightroom.

The image was taken of Castle Geyser in Yellowstone in 2006.

I just had to share the image with you – I think it's that good!

If you plan a trip to Yellowstone, here's a good book:

Explore the light,
Rick

Horses Running on the Beach at Sunrise Added to My January Florida Photo Caravan

Good news! A sunrise horse shoot on the beach has been arranged for Day 1 (St. Augustine) of my January  Florida Photo Caravan. The trip is full, but we have a few spots open for the St. Augustine part of the shoot. Shoot me an email if you are interested.

I didn't take this horse-and-rider shot in Florida, but I hope we can all get similar images.

My gear recos:
• tripod... but be prepared for hand-held shots, too.

Camera settings:
• AI Servo (focus tracking)
• Rapid Frame Advance
• Shutter speed of at least 1/1000 of second to freeze action. (You need to boost the ISO)
• Shutter Priority mode.

Of course, if you don't want to freeze the action, use a slow shutter speed, say 1/15th of a second, to blur the background and keep the subject relatively sharp.

If you do get an out-of-focus shot, you can sharpen it, to a degree, with InFocus from Topaz Labs. (You can save a bundle when you order a Topaz bundle.)

Other tips:
• Watch the background.
• Don't cut off the rider's head with the horizon line.
• Take lots of shots to get an image all the horse's hooves off the ground.
• Works with reflections.
• Bring a lens cleaning cloth to keep salt spray off the front element of the lens.
• Check your histogram to avoid overexposed highlights.

During the Photo Caravan, I'll be giving a free, 2-hour talk in Ft. Lauderdale for the South Florida Camera Club. Hope you can swing by.

Back to photographing horses, when photographing more than one horse, try to get some separation between the horses.

Finally, watch for lens flare, it can ruin a shot. Use a lens hood and share the lens if necessary.

Explore the light,
Rick


P.S. I took the opening shot for this blog post in Los Osos, CA during one of my Light Photographic Workshops.

Improve Your Perception and Imaging

What (or who) do you see in this photograph, which I took in Escalante National Monument several years ago.

Post your comment here so all can see.

What you perceive – visually and in your photographs and in the photographs of others – is quite interesting.

For more on the fascinating topic, check out my friend Dick Zakia's book: Perception and Imaging.

Tuesday, December 21, 2010

Carnival of Venice: A Cool Place for Colorful People Pictures. Dates Set for 2012 Workshop!

The Carnival of Venice (Carnevale di Venezia) is an annual festival held in, where else, Venice, Italy. The event starts about two weeks before Ash Wednesday and ends on Fat Tuesday, the day before Ash Wednesday.

Carnevale is a great opportunity for people pictures - and to eat great food and to buy Venetian glass.

If you plan to go, below are a few photo tips.
(I am running a photo tour to Carnevale in 2012. Shoot me an email if you are interested in joining the photo fun: ricksammon@me.com)

But first, here is a short movie with some music that includes the photographs in this column. It's just for fun.

I took all this photographs with my Canon 24-105mm IS lens – my favorite lens for people pictures. For the flash shots, I used my Canon 580 EX II.

Okay, on with the photographs and the tips.

Choose a creative angle (opening image for this blog post). Break the traditional rules of composition and look for unique angles.


Make the picture – don’t just take the picture. Take the time to expertly position a subject or subjects in a scene. Remember, when you are behind the camera, you are the director of the shoot. It took me about 15 minutes to set up the above photograph . . . after which dozens of other photographers crowded around me and pushed and shoved for the same shot, making it very difficult to shoot. Be prepared - and warned.

Shoot with your shutter speed in mind. Blur or freeze the subject with the correct shutter speed. The choice is yours.
Choose your camera settings carefully. Check your ISO, white balance, aperture, shutter speed and focus to ensure the end-result you envision in your mind’s eye.


Think color. Look to see how colors can compliment each other in a scene.


Be aware of the background. Know that the background can make or break the photograph.


Look for body language. Body language greatly affects how the subject comes across in a photograph. Pay extra attention to the subject’s hands.


Fine-tune your flash pictures. Use exposure compensation to reduce the light from the flash to the point where your picture looks like a natural light shot.

Create a sense of depth. Use the different elements in a scene to add a sense of depth and dimension in your photographs.

Have fun with the experience! What more can I say!

You'll find more tips on people photography in my apps: Rick Sammon's 24/7 Photo Buffet and Light It!

Explore the light,
Rick


P.S. I will be doing a workshop during Carnival in 2012. Let me know if you are interested in joining the photo fun. I know the good places to eat, too! Email me at ricksammon@ me.com.